All provide excellent editing environments for mono, stereo or multi‑channel audio. What else has been added to tempt potential purchasers? Forging Ahead Sony have now released version 10 of Sound Forge, adding 'Pro' to the title. SOS has reviewed many previous incarnations of Sound Forge, most recently version 9 in the June 2007 issue (on‑line at /sos/jun07/articles/soundforge9.htm). If you are new to Sound Forge, the SOS web site review archive is the place to start, and I'll concentrate here upon the key new features introduced in this release. In terms of core editing functionality and appearance, Sony have, thankfully, left well alone since version 9. At the time, Sound Forge 9 remained my weapon of choice for stereo editing, but when it came to CD compilation, I generally turned to Wavelab's Audio Montage options. Potentially, at least, this might now change, as the new release introduces Disc‑At‑Once CD burning: for me, at least, the clear highlight of version 10. As part of the set of tools that allows this to happen, Sony have also introduced what they term 'event editing', allowing multiple waveform 'events' to be placed within a single data window.

Sound forge pro 10